Rockin' With Cool Canadian Kids: The HMP Showcase Tour Comes to Vancouver

Earlier this month, on the 4th of June, I was invited to the HMP Recording and Development's showcase tour when it stopped in Vancouver's suburb of New Westminster. This cross Canada tour, which had a western leg and an eastern leg and literally went from one coast to another, showcased some of the talent this young and up-and-coming record label has to offer.  You can read more about HMP here; they are a Vancouver-based company with acts from all over Canada signed to them, with a large variety of music: metal, rock, pop, country, and even hip hop. I was grateful to get on the guest list so I could feast my ears on (mostly) new-to-me music.

There were 10 acts altogether, and New West's Columbia Theatre was abuzz with activity when I arrived and took my seat. Artists were to-ing and fro-ing all over the place, the door to the back stage and green rooms was in constant motion, and there was a big sound check going on, led by rock band JFR's front man, Jean-Francois Roy.

The showcase's co-headliner featured Edmonton industrial metal act KingDoom, which had a special guest playing with them for the western leg of the tour, Chris Vrenna.  Vrenna, if you don't know, was Nine Inch Nails' drummer and also drummer for Marilyn Manson, and he's also a producer, who actually produced KingDoom's new self-titled CD.  Apparently, he's a grammy winner.

The other head liner was Canadian hip hop artist, Poppy Seed.

But the big draw for me personally was seeing a band I've become quite fond of recently, Celestial Ruin, who signed with HMP in the late spring.

But before we get to that, let's go through the line-up and give some link love to the other bands on the night's bill.

The evening was emceed by Fall of Cain mainman Travis Dean, who was charismatic and very enthusiastic as he cruised through the evening introducing everyone.

Draaka Rouge

First up, a metal guitar soloist, Draaka Rouge, who hails from Victoria, BC, and who plays his own unique brand of progressive metal. His guitar playing was extremely impressive; his hand was a constant blur as he shredded it up!  He also had a very cool guitar, it reminded me of a Ferrari, bright red and shiny.

Next up was Vancouver hip hop artist Stray One, from Vancouver suburb, Langley.  AKA Nicholas James Bergeron, he performed a couple of songs (all the sets were very short leading up to the headliners) that were OK as far as I could tell - I am not a hip hop person at all, but I liked his subject matter.

Third was rock artist Joelle, who has a new album out called "Pillar of Stone", and fourth up was another rock act called Burning Daisy, featuring an Irish-born singer named Liz. I really liked this band a lot, be sure to check them out!

At the midway point of the evening, Travis went through costume change to sing for his band, Fall of Cain (their HMP page is here). Hailing from Victoria, this band sits somewhere between hard rock and heavy metal on the musical spectrum, and had lots of great stage presence.  Travis was a great performer and wore these funky steampunk-ish sunglasses.  This is definitely a band to be on the lookout for, they were excellent!

Following Fall of Cain, Jean-Francois got up to perform with his band, the HMP showcases house band, JFR. Based in Edmonton, this is another band to watch out for - they were great live and did a fantastic set.  They even have a music video out for one of their singles, "Take Me As I Am."

The seventh band was a last minute addition to the bill, a Vancouver-based band called Crashing Angels.  OK, this band actually surprised me.  Never heard of them, and when they were doing their set-up, I could tell that they were significantly older than all the other bands playing.  I was a little skeptical, when I saw them, expecting perhaps something more traditional and perhaps blander than what I got, which was an excellent set of hard rock!  Vocalist Dean Marshall Pilkey was purely awesome - he just killed it, and this was one of my favourite performances of the night!  This band has had the same line-up for 11 years, incidentally, and I'm going to have to see if I can catch them live again because I enjoyed them that much.

KingDoom

After a bit of an intermission, the three big bands were up next, starting off with KingDoom, accompanied by Chris Vrenna on a second drum kit. He was the big name "draw" of the night, and indeed the western leg of the tour.  KingDoom live was amazing, not ifs ands or buts. They were tight, intense, and you could tell that they'd worked a lot on their live performance because they looked and sounded very slick and well-produced.  However, I didn't see the point of Chris Vrenna being there behind the second drum kit...he seemed a little extraneous, and he didn't look to me like he had a lot of heart while playing, especially compared to the band's main drummer, Boom-Boom (at least that's what their FB page says his name is).  Apparently KingDoom is popular on the Edmonton scene as their show was sold out in that city (and also of note, that Edmonton show was shown around the world on pay per view).  I really enjoyed KingDoom's set; it was fun and energetic, and I even liked them so much I purchased their CD off iTunes.  It's a pretty good CD, though industrial metal is not exactly my thing, but I enjoyed it a lot.  Singer Lex Justice is an excellent performer with a lot of energy and presence.  As headliner, they played a full set and it totally got the place going.

Larissa Dawn of Celestial Ruin

And then my favourite local metal band, Celestial Ruin was up to play a four song set.  I have previously written about Celestial Ruin for Sonic Cathedral, and you can read about that experience here. As I mention in that piece, CR is definitely a band to see live because their live performances are fantastic. Singer Larissa Dawn was once again resplendent in a gorgeous gown and she gave a very animated and compelling performance.  Their set included their own metal version of Europe's "The Final Countdown" and a song that is not on their debut album, Awakening, called "Sense of Exile". This show featured the band's new guitarist Carlo Sepe, who was just recently hired shortly after the Cirque Nocturna evening I linked to.  He did a great job, considering he'd been with the band less than two months and his first show with the band was on the tour's previous stop in Victoria the night before. The band's set once again had the audience up and headbanging and hopping around, and was a lot of fun. I totally encourage anyone in the Vancouver area to check out Celestial Ruin live if they can; their next gig is at the Media Club in downtown Vancouver on July 14.

Finally, after about three hours of music, the final act was on, and that was the aforementioned co-headliner, Poppy Seed.  As he took the stage, a couple of scantily clad dancers undulated down the two aisles of the theatre and took up spots right up in front of the stage and started dancing away to something obviously choreographed.  As I said, I'm not a hip hop person, and I have to be honest, this was not a good way to end the evening for me.  I didn't enjoy Poppy Seed at all and found him rather slow and boring.  It was late, and I had to skytrain back to my suburban lair, so I ended up leaving during this guy's set.  I feel slightly guilty about it...But I did get to have a last-minute chat with some of Celestial Ruin's members and that was nice.

So overall, this was a great evening of music and entertainment!  Thanks to HMP for inviting me, and thanks to all the bands and artists for a memorable evening.

Gig Review: Sabaton at The Venue in Vancouver, BC

Last night was a highly anticipated evening on my calendar.  Ever since seeing Sabaton kill it opening for Evergrey in October 2011, and being blown away by their performance, I knew I'd spend the money to see them again if they ever came to my part of the world.  And they did.  The gig was announced a few months ago and I put it on my calendar in big letters, hardly able to wait.  Last night's show in Vancouver was the only Canadian date on Sabaton's current North American headlining tour, and even though I was having a shitty day and nearly talked myself out of going, I'm so glad I pulled myself together and attended.  It was fucking brilliant.

Using local support acts throughout the tour, last night's bill included Vancouver indy band Unleash the Archers and Kelowna's Empyria, a prog band signed with Nightmare records.  Doors opened at 8:00 and there was a modest line-up.  Because I've been sick, I didn't get to Scrape Records to purchase my ticket for $15, and instead plunked down $20 at the door.  Lesson learned: go get the ticket from the local metal shop instead of winging it on show night - you'll save money and support the record store.  In the end, the cost didn't matter; I'd plunk down twice that to see Sabaton again.

That first Sabaton show in Vancouver was also held at The Venue, located on the theatre strip on Granville St.  I'm not the biggest fan of The Venue - the floors are sticky, the floor isn't raked, and there is minimal seating for when you want to get off your feet for a while.  But I like I a hell of a lot better than the Rickshaw, where most metal acts perform when they come to Vangroovy.  But one thing that is good about The Venue is that the merch stands are in a common sense place, unlike at the Rickshaw where they are too close to the pit and always a pain in the ass to get to.

Anyway, bitching about the venue aside, as soon as I got inside I visited the merch tables of Empyria and Unleash the Archers, happy to see that Brittney Slays, UtA's vocalist, was manning the table.  I knew I had to say hi; my colleague at Sonic Cathedral, Robin Stryker, would have admonished me for not doing so, since Robin is a huge UtA fan and has had the pleasure of interviewing Brittney.  Also, my colleague at Black Wind Metal, Kevin, interviewed UtA for that site, so I had to go and say hi and introduce myself just to say that I had.  Brittney was doing her vocal warm-ups at the station as she handled money, and when I had the chance to speak to her, she was very lovely to chat to and very gracious.  In the end, I'm glad I got over some of my social anxieties and approached her; she is totally approachable, as is the band's bassist, who came to assist her.

Incidentally, I didn't recognize any of the house music that was playing before the show started, but there was one familiar song: Nightwish's "Storytime."  That made me happy, and I don't care who heard me singing along!

Brittney Slayes of UtA

Taking the stage first was Uta, and they did so at about 8:45.  For about half an hour, I'd staked out a spot to the right of the stage just under the giant hanging speakers.  This is a typical strategy of mine at gigs since I like to take pix.  When UtA took the stage there was a huge whoop from the crowd.  This band definitely has a following of significance and the crowd was happy to see them.  When Brittney began to sing, I was blown away.  She is so powerful she almost outsings the band.  I have all of UtA's releases (their most recent is an EP that's now available on iTunes) and let me tell you, she sounds so much more amazing live.  She is so dynamic and charismatic when she's belting out their tunes right in front of you.  I'm not exaggerating when I say I was blown away - it was a fantastic performance, complete with tons of windmill headbanging and the whole lot.  If you ever get a chance to see UtA live, DO IT!  They certainly won me over and Brittney how has a new fangirl.

My only beef about this set is that I didn't get many good photos because some 7 foot tall schmuck decided to plant himself right in front of me, obscuring my view.  Fuck man, if you're that tall, go farther back and let the shorter people see properly!

Empyria

Next up was Kelowna's Empyria (pronounced empire-ee-ah).  Like I said, they're a prog metal band, and I thought they were OK.  Some of the members had very enthusiastic family members in the crowd, and that was fun to watch.  The music got better as they played further into their set, and I found myself getting into it more and more the farther the set went.  Overall, not exactly my cup of tea vocal-wise, but I respect this band for coming as far as it has in the time its been together, and it's definitely nothing to sneeze about to open for freaking Sabaton, so props to them.

And props to Sabaton for going the route of choosing local bands to open for them.  I think that's pretty classy. (Not to mention less expensive, which I totally realize.)

Finally, the set up and last minute sound checks for Sabaton were done, and the lights dimmed...and it was on.

As with the last Vancouver gig, the band chose fellow Swedes, Europe, to provide their intro music, and it was the same song, "The Final Countdown."  Loved it!  Then all went dark, and bursting onto the stage was Sabaton's new drummer, Robban Bäck, completely shirtless.  He took a bow then sat behind his kit, and then came the banging out of the intro to "Ghost Division."  Singer Joakim Broden jumped onto the stage and started belting out the lyrics and pounding around like he embodied the music.

Sabaton takes the stage!

If there is one thing I can say about Sabaton live, and I realize this isn't particularly creative, but it's all I can come up with because words are hard to come up with for this stuff, it's that they are larger than life.  All their movements are so full of energy that their stage presence is nothing like I have ever seen before.  They are all so into their music that they literally embody it.

For those of you who don't follow the band, they have three new members after a split a while back, and I wondered how they new members would be on stage.  And it turns out that they were just as awesome as the previous incarnation of Sabaton.  Guitars are split between Chris Rörland and Thobbe Englund seemingly pretty evenly, which was nice to see because it gave each musician a chance to shine in front of the crowd with their shredding abilities.  The only band member Sabaton hasn't replaced is Daniel Myr, the keyboardist; instead, they must be using a backing tape, which was fine.  I would like to see the keys played live, though!

The set list included all the usual faves, "40-1", "Primo Victoria", and stuff from the current album, Carolus Rex.  A few times, Joakim invited the crowd to help choose the songs, giving us a choice between two and taking a vote by most noise made.  "White Death" from Coat of Arms was chosen that way, as was the "Carolean's Prayer", which was sung in Swedish, since Joakim told the crowd that they'd had lots of feedback from fans requesting a song sung in the band's native language.  Other songs were "Poltava", "The Art of War" and "Gott Mit Uns."  I can't remember everything on the set list.

As for the crowd, it was ridiculous!  I'm so glad I staked out my claim early because I kept getting pushed forward.  It was nuts, but nuts in a good way.  There were no assholes doing the stupid wall of death or running around in a circle attacking each other with inflatable swords, hammers, or axes - thank God.  Everyone was very well behaved and there just for the music and the band, and it was great.  The band was very gracious about the reception, Joakim holding his arm out to show us his goosebumps.

Another great thing about this show was the simple lighting.  Some shows over light, IMO.  Sabaton keeps it pretty simple with not too much strobe lighting and not too much oddly coloured lighting, and a the lighting is mostly from overhead, which is very important if you're trying to take photos.  The Rickshaw has the worst lighting ever and I get a lot of crappy shots just because of the lighting.  Last night I got some OK shots but it wasn't because of the lighting, it was because no one on stage stood still long enough to get a decent pic!

Sabaton wound things up with "Metal Crüe" from Attero Dominatus (they also did the title track earlier on in the show).  And that was it.  It was over after about 70 minutes.  Joakim was so sweaty during his performance that he kept ducking behind the big skull curtain to towel off and re-hydrate.

On a personal note, I was very uplifted by this show.  It was the best show by far that I've been to (not that I've been to tons but it outdoes those that I have been to) since I started going to shows in 2011 when I moved out of the boonies where no one comes to play. UtA knocked it out of the park, Empyria was entertaining, and Sabaton were just too killer for words in this language.  And oh, the hotness of Joakim Broden!  Oh, how I wanted to burnish his breastplate!  But alas - I couldn't stay to hob nob at the merch table (if they even did that); it was past midnight and I had a long commute home on transit ahead of me back to my suburban lair.

I'm so glad I went.  It totally bouyed my mood, and it was the best $20 I've ever spent.  I will go and see this band at every opportunity I get because there is no show like it at all!

Edit @ 10:10pm, Feb. 20, 2013:  OMFG!  I just found out that the drummer at this gig was not Robban Bäck, but none other than Snowy Shaw!  I can't believe I saw Snowy Shaw live and in the flesh and I didn't even realize it!  I am blown away!

Disappointment

Today Nightwish announced their North American tour dates.  Here is the schedule.  As you can see Kamelot is opening for them.

As you can also see, there are only two Canadian dates, both back east, one in Montreal Sept. 19 and one in Toronto Sept. 20.  As a western Canadian already alienated from the hub of the metal music scene (there is a west coast metal scene, but we still don't get as many big acts as the east does), I am supremely pissy about the lack of western Canadian Nightwish gigs.  Would it have killed them to include at least ONE fucking western Canadian city?  Calgary? Vancouver?  Even Winnipeg!  But no, once again, western Canada gets the shaft (we have also been given the shaft with Sabaton's current North American tour, amongst others).

I acknowledge that I am close enough to Seattle to go there for a gig, however on top of the $35 (or possibly more) ticket, I have to pay $76 for a train trip, plus extras that come with going to another city/country.  Usually, I have a friend to stay with in Seattle, but this date will not work with her schedule, so that might be out.  Plus it's a pain in the ass!

Fuck you King Foo!!!!  I will go and see Epica instead November 10 - RIGHT HERE IN VANCOUVER!

Who's Going to Paganfest 2012?

I am!  I just bought my ticket for the Seattle show and it was a very reasonable $20 plus $2.24 for fees.  The dollar is at par these days so it's an even better deal!  I have a friend in Seattle I can stay with, but she's not into metal (though she did accompany me to Sabaton/Evergrey in October) so I am going to the event alone.  But I'm cool with that!

The bill includes, as you can see from the poster, Turisas, Alestrom, Ex Deo (I have no idea who they are), Arkona, and Huntress.  I have seen Arkona live before, in December in Vancouver, when they opened for Korpiklaani. They were great live and I'm stoked that I'm going to get another opportunity to see them live so soon!

The Seattle show is April 15.  Can't wait!

DVD Review: Nightwish's From Wishes to Eternity

In the dawn of the new Nightwish album Imaginareum, I have finally decided to review From Wishes to Eternity. I know I have waited a little long to review this DVD since I said I was going to review it back on my Dark Passion Play review, but here it is!

In 2001 during Nightwish's Wishmaster tour, the band released their first live DVD recorded in Tampere, Finland which was on December 29th, 2000. And boy what a treat it is to watch anytime I get around to it! I could honestly say that this DVD really gives me chills every time watching it as well as reminding me how great Nightwish was during the peak of their career with Tarja Turunen as lead vocalist. It is also the only live DVD of the band to feature Sami Vänskä as their bassist. I actually prefer Marco at bass since he brings a bigger dimension to the band with his powerful voice, but Sami did a great job in Nightwish nonetheless.

What is great about this DVD is that everyone in the band is performing at a very high level. For example, Tarja's vocals on this release shattered all of the studio versions of the songs performed at this concert. Her voice is very angelic and powerful, as it usually is, but her performance at this particular show is beyond amazing and nothing I have heard before from her! She really knows how to bring the emotions out in Tuomas' songs. And speaking of Tuomas', he showcases his best keyboard work on this DVD, most notably in "Wanderlust" and "The Pharaoh Sails To Orion" where is completely shreds with confidence and style.

The other members were also on top of their skill level too. Emppu's guitar work is creative and stellar, especially when he adds his own guitar fills where it actually enhances the songs more. I especially dig him in the "Crimson Tide" "Deep Blue Sea" covers, but unfortunately that track was not on the DVD I got, which is quite a shame because that performance was outstanding! Jukka's drumming is just fun to watch. I love how he always shows so much passion when playing drums, like how he still does to this day! Sami also seems to be pulling out some good bass licks in the songs too! It's great seeing the band have so much fun on stage together! During the song "Fantasmic part 3", Tuomas jumps out from his keyboard and headbangs with the rest of the band! That is something you don't see everyday! Another funny moment is when there was a break in "Wanderlust", Emppu gave a friendly pat on Tarja's head! How cool is that! :D

Another cool aspect of this DVD are the guest vocalists. My personal favorite performance of the concert is "Beauty & the Beast", where Sonata Arctica's vocalist Tony Kakko provides the male voice. He was a great choice to sing this as opposed to Tuomas, who is a great songwriter and keyboardist, but not a great vocalist. I love how both Tarja and Tony showcase great stage presence together with so much passion and emotion. It looks so theatrical and bad ass at the same time! The other guest vocalist, Tapio Wilska, provides live vocals on "The Pharaoh Sails To Orion". Being the former vocalist of Finntroll, his on stage theatrics are a sight to see. It is really cool to see a guy have so much fun on stage with a band like Nightwish. It is very rare that you will hear his vocal style in a Nightwish song. It is probably the closest Nightwish will ever sound to being death metal!

Other cool additions to the DVD are the bonus features on it. There are interviews with Tuomas and Tarja, two music videos, two live videos, a cool photo gallery, and their discography as of 2001. There is also some off-stage footage where you can see Nightwish backstage! If you happen to get this DVD, you need to watch that because you will get a good laugh at some of the stuff they did during their tour!

So that is my review of From Wishes to Eternity. Here are my overall thoughts:

Pros:

• An excellent performance by an excellent band!
• Great camera work and sound quality.
• Enough bonus material to keep you wanting more!

Cons:

• Wish there were a few more Oceanborn songs on the setlist, but this is a minor complaint.
• Some DVD's do not have the "Crimson Tide" and "Deep Blue Sea" covers.

You can tell by watching this that Nightwish was at the height of their career as a band during this show. The energy that radiated from this show is something that was special here and I don't think it could ever be repeated again! I actually think this performance overall tops End of an Era, though both concerts were very good in their own respect. This is probably my favorite live DVD despite the fact that the "Crimson Tide" and "Deep Blue Sea" covers were not on my copy. At least there is a video of it on YouTube! This DVD is a must have for any fan of Nightwish or symphonic power metal in general. It doesn't get much better than this! Horns up for me! \m/

Overall rating: 5/5

Come Cover Me: Angra's Phantom of the Opera version live Rock in Rio 2011 with Tarja

When I found out that Angra was performing live with Tarja in Rock in Rio 2011, I was so excited that I nearly exploded! Haha, just kidding but you know what I mean. I was excited until I heard the performance itself. I myself am a big Angra fan, but to be honest, their performance at Rock in Rio this year was pretty lackluster compared to what I have heard out of this band before. This video showcases Angra covering the famous Phantom of the Opera song with Tarja Turunen:

Nightwish's version of this song is obviously far superior and it is apparent that both Edu and Tarja are out of key. Apparently from metal gossip on YouTube, they were both mic'ed up very poorly and could not hear the music well at all. Well I can actually see that, but Edu's singing is just not very good here at all. I actually like his voice with the band normally, but he sounded very course and rough at this concert. He must of had a rough night because he even sang Angra songs very poorly as well. Here is a video of Angra's setlist in Rock In Rio 2011:

If you look up any Angra live video besides RIR 2011, you will see that they are normally a very good live band and that Edu is usually an excellent vocalist. I myself find them to be one of the best live power metal bands around, and this performance actually shocked me. We all have bad days and experiences so rest assured that Angra is still a very good band but had some issues that day.

So yeah, this is not a very good version of POTO.

Losing My Metal Gig Virginity!

On Monday, the long-anticipated day came: Sabaton played in Vancouver.  This Swedish power metal band, which plays and sings about the both the futility and heroism of war (they are a “war metal” band), has long been on my bucket list of bands to see live, after watching tons of YouTube videos of them playing at places like Wacken, etc.  On Monday, they came through Canada’s west coast (as so few on my fave bands do) opening for Swedish power/prog metallers Evergrey.  When the dates were announced in March, I knew this was an opportunity I had to take advantage of, and living in the sticks at the time, I began to scheme about how to get from Boonieland to Vancouver for the gig.  A surprise gift from a good friend yielded tickets and someone to accompany me so I didn’t have to go alone and feel like a loser.


I had just moved to the coast on Friday, for crying out loud, and the move itself was incredibly taxing.  It was hard to look forward to this gig because I had so much going on and I was extremely stressed.  But on the day of, I felt better, my cat was in good hands for the night (my friend came from out of town for this gig and we were staying at a hotel in downtown Van, and I was able to relax and look forward to the evening.

The lineup included The Absense, whom I’d never heard of, and since I was short on time before the gig, I wasn’t able to research.  I figured it would be a better use of my time to go late to the gig and miss this band in favour of meeting up with my brother & SIL for a pre-show libation at a nearby bar.  I also wanted to miss Powerglove; video game metal is not up my alley at all.  I was mildly curious about Blackguard, a Montreal band whom I’d heard previously was excellent live, and whom I know to be a hard-working, hard-touring band worthy of checking out.  

The stage at The Venue.  The big face belongs to the Evergrey set-up.

My friend and I arrived at The Venue at 8pm and The Absence was just finishing up.  I heard enough to know I’d made a good call by showing up late.  The next to take stage was Blackguard, which irked me because I’d hoped Powerglove would be before them & I could bow out after getting my wrist stamped at the door (BTW, I was also IDed at the door, which made my day because I haven’t been IDed in nearly 17 years).  I got to see the sound mixing board up close & personal and get an idea of what The Venue was like.  It was dark.  It had 3 bars and sticky floors.  There was a cool colour-changing wall.

There was a considerable amount of debate on my part as to what to wear to this gig, and after consulting some of my co-writers at Black Wind Metal, I learned that it was kosher to wear another band’s shirt to a gig, as long as the genres weren’t terribly misaligned.   Because my Nightwish shirt was both long-sleeved and not necessarily in the same genre as anyone playing that night, I went instead with my Sonata Arctica t-shirt, purchased nearly a year ago in Calgary.  I saw a lot of other shirts that night: Behemoth, Amon Amarth, Iced Earth, Cannibal Corpse, AC/DC and others.  There was a lot of great people- watching there.  There were scene girls and girls with black tutus on, one chick with a big bow in her hair and a black and white flouncy skirt with a polka-dotted jacket, and a very straight-laced, serious-looking guy with tight jeans, a white v-neck sweater, big glasses - and a murse.  He looked very out of the place.

Anyway, here is my band-by-band run-down.

Blackguard: not my cup of tea musically because their vocals are all growly.  Live, I couldn’t understand a word that came out of the singer's mouth, but I was impressed by the synchronized windmill headbanging the singer & guitarists frequently broke into.  Their power and stage presence was excellent.  Their tiny female drummer totally rocked it.  But the vocals got lost in the overall sound of the band an that was disappointing.

Powerglove:  As they were doing their sound check, they also brought out some props, one included a large, life-sized cut-out of a green monster with gnashing teeth. As the band went onto stage in the dark, I could tell there was something coming on that was higher than the band with a bit of a wave to it.  A butterfly, perhaps? No, it was a pair of skull-capped pennants with the band’s name on them - attached to the drummer somehow.  It was very strange.  When the lights came on at the start of playing, I saw that the band members had all dressed up in costumes that reminded me of Klingon gear mixed with a bit of the caveman look (horns & shit, not to mention the scull-capped pennants) and with some WWF championship belts.  It took me a while to process this...There were a lot of Powerglove fans there - barely over the drinking age of 19, which is what you have to be in order to get to a gig like this.  During their set, out came the inflatable giant mallets and inflatable swords, which were dispersed to the crowd, who went crazy for them.  There might have been some beatdowns.  Bizarre!  They were mainly instrumental which was great, though the one guitarist looked like he was 12 and had no stage presence.  Mind you, he wore the most ridiculous costume of all: he had big tusky horns sticking out of his shoulders.  After they were done, off went the green monster & skull-capped pennants.  Their fans held fast to their inflatable props.  Oh yeah, and it was during Powerglove that the weed came out!

Joakim Broden of Sabaton

Sabaton:  Now we’re talking.  I had found a good place near the bar in a back corner, with seats, so one of us could always look after our stuff since there was no coat check.  But this was Sabaton and I wanted to get closer of course!  I took off while my friend looked after my things and got as far forward as I could without getting too close to the rowdy crowd up front.  Turned out I had a great vantage point for photographing Joakim Broden in action, as well as the fill-in bassis, Emile, I think his name was.  Before they came on stage, the place went dark and on came “The Final Countdown” by fellow Swedes, Europe.  That brought me back.  Then the lights came on, and there they were, pounding out “Ghost Division.”  Seeing them live was just such a great experience.  They are powerful, animated, and so energetic live.  Joakim is way hotter live, too.  He wore a muscle shirt, showing off ripped biceps that totally indicated this guy is a big-time weight lifter.  His thighs were huge.  It was impressive, I must say.  I used to weight lift and was married to a body builder, so big muscle-y men impress me.  His skin also quickly became covered in an attractive sheen of sweat.  I could barely keep my eyes off him.  I took about a bazillion pictures.

I can’t remember the entire set list.  “Primo Victoria” was one song, and they wrapped their set up with “Metalizer.”  The crowd was amazing.  I didn’t think there would be too many Sabaton fans there, but they by far had the biggest and most enthusiastic crowd of the evening, and Joakim remarked several times at how impressed they were that they were in a new country and a new city and they were receiving such a warm welcome.

Sabaton!

One exchange stood out, and why wouldn’t it?  Before the second to last song, Joakim said, “And now we have some very serious business to discuss: my penis.”  This elicited a bit of a roar from the crowd (which was mostly male).  When he heard that he said, “Well, I didn’t say it was big business!”  I was like, where did that come from???  It was funny, but odd!

During “Metalizer,” someone got out a big beach ball and threw it up into the crowd and everyone batted it around.  One girl behind me headbanged so hard she was nearly whipping me with her hair.  For this song, Joakim took off his ever-present sunglasses - at last!  And - there was a wall of death!  It was a very small one, and it looked completely absurd, but it was there!  

Sabaton’s time on stage was too short.  I think it was 7 - 8 songs.  But the crowd was so into it and I was so into it I just wanted it to go on and on...

And the whole time I was up there, fist pumping and horns-upping, I was so grateful that I had this opportunity.  It made the hassle of my move completely worth it.

And then I got to meet some of them!  They were at their merch table in the lobby after their set!   I hesitated about going back there because of my shyness and nerves.  But I had to take this opportunity...so I went.  I left my stuff with my friend and I went back to the merch table.  Immediately, Daniel Mÿhr was right at the door as I walked in.  He’s the keyboardist.  We had a chat!  He noted my Sonata Arctica t-shirt after I told him this was my first metal gig.  He was surprised and when I said Sabaton was on my bucket list, he said, “But you’re wearing a Sonata Arctica shirt!”  I said, “Yeah, well it was a choice between this and a longsleeved Nightwish shirt.”  He nodded and said he understood.  I asked him some questions about touring and the set list and mentioned to him that my fave Sabaton song is “Union (Slopes of St. Benedict)” and he said that they haven’t played that one live in 3 years.

And then I spotted Joakim...Immediately I became very nervous and I could feel my heart in my throat.  For me, this was like meeting a big celebrity.  I waited very patiently as he was surrounded by a crowd of different people, but eventually I stepped forward and offered my hand for him to shake.  He was shorter than I’d expected.  I said nice to meet you and thank you for the great performance, and then it got very awkward...Yep, I was tongue-tied.  Instead of mentioning the Van Canto video, I mentioned that this was my first metal gig and he seemed very surprised and asked me how I came to this one.  I gave him a garbled answer I can’t even repeat, saying something about living in the boonies and being far away from Vancouver, where not many of my favourite bands come anyway, but I don’t know if he understood me because he kind of gave me an odd look and then got distracted with other fangirls and people wanting autographs etc. and I just stood there a moment longer before realizing my time was up, so I just thanked him again and left.  I went away feeling stupid and embarrassed, but also, as a reporter and writer for a paper, I’m used to people wanting to talk to me, dammit!  He wouldn’t have known that, though.  Anyway...not an ideal interaction and the space was so crowded I was having a hard time coping with the noise, so I just went back to my place where my friend was waiting, patting myself on the back that yeah, I did go up to the guy and shake his hand, which for me took some guts (since I don’t have many), and reassured myself that he probably wouldn’t remember me or the awkward exchange anyway.  

Tom Englund of Evergrey.

Everygrey: This band I wasn’t particularly familiar with.  I listened once to their most recent album, Glorious Collision and I did enjoy it.  They were really good live, but we wound up not staying for their full performance because their lighting was driving me up the wall and making my friend dizzy.  That was disappointing because I thought they had a lot of soul and emotion on stage.  Sabaton had pretty straightforward lighting, but Evergrey had a bunch of effects with their lighting that really annoyed me.  My friend and I couldn’t stay for the whole thing, so we left about halfway through.  I felt really guilty about this because after Sabaton, the crowd thinned considerably and was decidedly less enthusiastic.


Summary: Fantastic experience.  Good call with getting ear plugs; my ears would have been bleeding after Blackguard if I hadn’t worn any. I am so glad I went and so grateful that my friend was there with me.  It wasn’t her cup of tea at all, but she was a total trooper.  If you’re a Sabaton fan, I totally recommend seeing them live because they are pure power to watch and experience, and I was so happy I had this opportunity.  And I look forward to more opportunities like this in the future now that I’m down on the coast.  In fact, I plan on attending the Arkona gig in December, where they open for Korpiklaani (whom I’m not really into).  That might even involve an interview for Sonic Cathedral’s web zine.

You can see all my photos of the gig here.

Countdown to Sabaton...And Others!

As I mentioned in the last post, I'm in the process of moving from the literal sticks of British Columbia to the more civilized coast.  I won't be in Vancouver proper, but I'll be pretty damned close. On Monday, Sabaton is playing at The Venue in Vancouver, opening for Everygrey - and I am going!  The tickets were a surprise gift from a friend of mine to sort of celebrate a new chapter in both our lives.  My friend is not a metal head.  And this will be my first metal concert.

In a discussion with my colleagues at Black Wind Metal (who will be launching the new BWM site on Monday!), I found that wearing my Sonata Arctica t-shirt would be totally kosher.  I was a little worried that it might seem out of place to wear another band's shirt at a particular concert, but apparently that is totally fine.  I was worried about what to wear otherwise.  I don't exactly have the most exciting wardrobe in the world, and luckily the SA t-shirt is short-sleeved (unlike my Nightwish shirt).

My friend will be taking photos of the event.  I'm pretty stoked!  It should be a really fun experience, though I expect I'll be the oldest person there.

Russian folk metal band Arkona will be coming to Vancouver December 3, opening for Fins Korpiklaani, and I think I'll go to that gig, too.  I like Arkona.  And - excitement! - the boss over at Sonic Cathedral is in touch with Arkona's label and is helping to organize a possible interview with the band for me, so I can write an article for the SC web zine!  How fucking cool is that?  Cross your fingers that it will actually happen!

Vancouver is going to open up a ton of gig opportunities for me, so that excites me about my new home.  Living in the sticks totally sucks when you are into a scene that doesn't exist there.

Ozzfest 2011 Officially Cancelled

On the official Ozzfest Facebook page it has been announced that Ozzfest will be cancelled in 2011. This would be the second time in three years that this cancellation took place, mainly due to the slow economy and more competition with other events. You can read more about this here.

Guess Who's Going to See Sabaton???

Fuck yeah, babies!  My friend emailed me with a nice surprise this evening after I lamented I had no one to attend Sabaton with in Vancouver Oct. 3.  She bought tickets and will fly in from wherever she is in the States at that time to go to the gig with me!

Sabaton is opening for Evergrey, along with Quebec's Blackguard, and two other bands I've never heard of, The Absence and Powerglove.

I am so stoked!  This is one of my bucket list bands - and it will be my first metal gig ever!